- #WIRECAST GEAR 420 DRIVER#
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- #WIRECAST GEAR 420 BLUETOOTH#
Graphics we decided to do in post, as my cameraman, is a graphics designer, video editor, and sign shop, owner.
#WIRECAST GEAR 420 BLUETOOTH#
We put mine on hardwire, and his we had a 1/4 Bluetooth dongle that plugs in 1/4″ into the headphone amp, and his headphones were Bluetooth. I could monitor the audio of Wirecast, but my camera guy could also monitor it. I also brought a headphone amplifier that allows 4 inputs. I also used the x-keys to control Wirecast besides the usual keyboard and mouse. I also brought along a JJC white balance filter to white balance all the cameras using the same filter. You can use your phone or a USB air card.
#WIRECAST GEAR 420 DRIVER#
I also brought an internet hot spot, just in case a driver was needed last minute, or a song needed downloading to save on post-production. The microphone and transmitter take 2 AA batteries each, so I brought 20 brand new AA batteries as well as 8 rechargeable because sometimes rechargeable die. Complete with USB ports for charging USB devices. I brought a 14-input power tower to plug everything into it. We simply put the mic on a microphone boom arm for stability. In order to get his audio clearly, without running a ton of cable and a lot of leg work, the wireless picked up the audio the best and was the easiest to move around. I decided to go wireless, even though I brought a wired rode shotgun mic, because at one point during the production, the band director, had the senior captain speak to the team. The microphone we used was a Rode Reporter microphone with Sennheiser EW 500 film G4 camera mount pack and microphone transmitter. I also packed 6 100-foot SDI cables because, at the time, I didn’t know how far I was having the cameras from the Wirecast Gear. I even brought some old Canon Vixia HV40’s (3 of them) just in case we needed some interesting shots that weren’t mission-critical. Not only did I bring a backup, but when you’re doing productions, and constantly bringing gear here and there, you learn, even a backup can fail. It’s mini HDMI to full-size HDMI, so I had to bring an HDMI to SDI converter. Both the Sony and the PTZ Optics camera are native SDI cameras. Now the third camera was provided by the school, as one of my cameras was being used for another production, and the model for that Sony camera escapes me, but it’s about a $4000 camera.
The cameras I chose to bring were the Canon HFG40 and a PTZ optics 30x SDI camera. This way when these types of shoots come up, I just unplug studio wires, and put the front and back on the flight case, and off we go! The Gearĭuring my planning, I figured on a 3-camera shot with all cameras feeding into the Wirecast Gear 420, which I have conveniently placed into a flight case. We were allowed to set up in the press box, so we had plenty of electricity, plenty of space, fortunately for my prepping, plenty of length in cords. We had one chance and 3 hours to get it right.
After speaking with the athletic director, this would be the only time the whole band, including seniors, would be on the field at the same time all year. All together we had a 4-camera production. We wanted some “hero” shots to edit in later, so our camera guy walked on the field to get those shots. We also needed a final recording of the switched production in Wirecast.
#WIRECAST GEAR 420 ISO#
We decided on a 3-camera shot in Wirecast, while ISO recording each camera. Then we could edit the b-roll and get the best takes. Need two cameras? Add a second one and receive an additional $100 discount for a maximum rebate of $500 total.The goal was to have the kids play each piece twice. Purchase any model of Wirecast Gear (310, 320 or 420), a PTZOptics PTZ Camera and a X-keys controller and receive a $400 discount. These all-in-one bundles will save you time and money and give you the power to produce broadcast-quality video out of the box.
#WIRECAST GEAR 420 SOFTWARE#
We’ve partnered with the best video equipment and live production software and hardware manufacturers in the business to put everything you need to setup, stream and record high quality, professional live video into a single kit. NovemBundle, Promotion, PTZ Cameras, PTZOptics, Telestream, wirecast gear, XKEYS Get everything you need to startīundle the cameras, control surface and a fully configured live video streaming production system and you have what you need to broadcast high quality live video streams.
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